Wandering in Silence
A group exhibition by Rhythm Section
Platforms Project 2023
Independent Art Fair
Pireos 100
118 54 Athens
Greece
October 26–29, 2023
Participating artists: Anneke Bosma, Daniel Geiger, Lon Godin, Michael Graeve, Henriëtte van ’t Hoog, Michaelis Karaiskos, Liu Ke, Oleksiy Koval, Guido Nieuwendijk, Thomas Rieger, Xiao Tang, Veronika Wenger, Michael Wright
Curated by Ezgi Bakçay
Supported by Karşı Sanat Çalışmaları
The objective of Platforms Project is to map artistic action as it is produced in the context of collective initiatives by artists who decide to join forces in seeking answers to artistic questions by creating the so-called platforms.
Ambiguous Unambiguous, Athens (I)
Ambiguous Unambiguous
A group exhibition by Rhythm Section
Platforms Project 2021
Independent Art Fair
Pireos 256, Ag. Ioannis Rentis
182 33 Athens
Greece
October 21–24, 2021
Participating artists: Dailydosage 24, Daniel Geiger, Michael Graeve, Henriëtte van ’t Hoog, David Kefford, Oleksiy Koval, Guido Nieuwendijk, Serena Semeraro, Xiao Tang, Mirco Tarsi, Veronika Wenger, Michael Wright
Curated by Sophie-Charlotte Bombeck
Ambiguous Unambiguous, Athens
Ambiguous Unambiguous
Rhythm Section
Platforms Project 2020
Athens, Greece
Participating artists: Daniel Geiger, Michael Graeve, Henriëtte van ’t Hoog, David Kefford, Oleksiy Koval, Guido Nieuwendijk, Serena Semeraro, Xiao Tang, Veronika Wenger, Michael Wright
Curated by Sophie-Charlotte Bombeck
Now in its eighth consecutive year, Platforms Project is the international show that indicatively charts the art currently produced through collective initiatives by young artists on the international scene as they join forces to seek answers to contemporary artistic questions.
Platforms Project establishes a new approach to art viewing via Platforms Project Net, a web-based art fair.
The Platforms Project Net will enable the art-loving public to access the artists’ groups and their works via a digital exhibition. Viewers can try a new experience by visiting the Platforms Project website for 15 days, from 14 to 31 May 2020.
Wright & Van ’t Hoog, Zip 3. With music composed and conducted by Philip Mead, and performed by the St. Augustine’s Singers in St. Augustine’s Church, Cambridge, on March 17, 2018.
Utopia, Istanbul
Dahlhausen viral, Ahlen
Wedge V, 2014, 57x22x15 cm. Photos: Roland de Jong Orlando.
Kunstmuseum Ahlen
Museumsplatz 1 / Weststraße 98
59227 Ahlen
Germany
November 9, 2014 – January 25, 2015
Hours: Tue–Fri 2–6 pm, Sat–Sun and holidays 11 am – 6 pm
The exhibition Dahlhausen viral is curated by the German artist and art collector Christoph Dahlhausen (1960). He smuggles his ‘art viruses’ into the Kunstmuseum Ahlen and contaminates the actual presentation of the museum’s collection with ‘strange’ art works. Some of them are taken from Dahlhausen’s private art collection, others sprout from his collaboration with colleagues from his international network. The result is an exhibition with frictions; surprising and contrasting settings change the perception of what is familiar and seemingly secure.
Wedge VII, 2014, 66x32x23 cm
FutureShock OneTwo, Berlin (I)
Contour VI, 2011, 23x23x12 cm
Internationale Neue Konkrete +
galerie dr. julius | ap
Leberstraße 60
10829 Berlin
Germany
January 27 – March 17, 2012
Hours: Thu–Sat 3–7 pm and by appointment
Opening reception: Thursday, January 26, 2012, 7 pm
Participating artists: John Aslanidis (AU), Wolfgang Berndt (DE), Hartmut Böhm (DE), Monika Brandmeier (DE), Matthew Deleget (US), Edgar Diehl (DE), Stephan Ehrenhofer (AT), Daniel Göttin (CH), Michael Graeve (AU), Marco Grassi (IT), Anette Haas (DE), José Heerkens (NL),
Curated by Matthias Seidel
For the first exhibition in 2012 dr. julius | ap will present FutureShock OneTwo, a group show featuring a selection of international artists from three continents. Participants each display a work of theirs that they feel looks ahead towards the future.
The title reflects the current uncertainty in all areas of life: it seems to be increasingly clear that things will not evolve as predictably and smoothly as they have in the past. However, this is also a great opportunity for innovation. The exhibition wants to ask what role the International New Concrete and neighboring fields of art might play in this new era.
An important goal of this exhibition is to have the artists join a general discussion on the future of non-objective art, such as its potential to influence one’s perspective on life, especially in comparison with narrative forms of art. Moreover, it is to explore the relation of art and value: in times of a fundamental crisis in the monetary system, can money really be the adequate equivalent in which to trade art? Is the work of the artist actually not more than money can ever be? Could art be an alternative system of values, mentally and materially?