Hydrography VIII, IJmuiden

- By Henriëtte van ’t Hoog

Blue, Silver, Gold II, 2020, 60×45 cm

 
Hydrography VIII
abstract experimenteel waterverf

 
 
Visserhallen
Duinstraat 4
1975 CD  IJmuiden

 
 
May 20 – June 11, 2013
Hours: Sat–Sun, 11 am – 5 pm

 
 
Opening:
Saturday, May 20, 2023, 12 am, by Iemke van Dijk

Finissage and book presentation:
Sunday, June 11, 3 pm, by Alex de Vries

Organized by Artvark:
Willemijn Faber and Cilia Tel

 
 
Participating artists: Richard van der Aa (FR/NZ), Annemie Bogaerts (BE), René van den Bos (GR/NL), Karina Bugayova (DE/UA), Ine Dammers NL), Iemke van Dijk (NL), Daniël Geiger (DE), Lon Godin (NL), Ilona Hakvoort (NL), Henriëtte van ’t Hoog (NL), Sipke Huismans (NL), Oleksiy Koval (DE/UA), Irene van de Mheen (NL), Riki Mijling (NL), Kleopatra Moursela (GR), Eric de Nie (NL), Erik Oldenhof (NL), Marena Seeling (NL), Clary Stolte (NL), Aimée Terburg (NL), Veronika Wenger (DE), Mark de Weijer (NL), Werner Windisch (DE), Friede Witzenhausen (NL), Michael Wright (GB/IE).
 

Pays-Bas, l’autre pays des beaux-arts, Meymac (I)

- By Henriëtte van ’t Hoog

Pays-Bas, l’autre pays des beaux-arts
Abbaye Saint André
Centre d’art contemporain
Place du bûcher
19250 Meymac
France

 
March 18 – June 18, 2023
Opening: Saturday, March 18, 6 pm
Hours: Tue–Sun, 2–6 pm

 
Participating artists: Atelier Van Lieshout, Persijn Broersen & Margit Lukács, Robbie Cornelissen, Bob Eikelboom, Lon Godin, Voebe de Gruyter, Willem van den Hoed, Henriëtte van ’t Hoog, David Jablonowski, Natasja Kensmil, Ellen Kooi, Nynke Koster, Katinka Lampe, Lynne Leegte, Gijs van Lith, Mark Manders, Hellen van Meene, Riki Mijling, Mai van Oers, Paulien Oltheten, Satijn Panyigay, Magali Reus, Mees van Rijckevorsel, Berend Strik, Jan Maarten Voskuil, Marijke van Warmerdam, Willem Weismann, Guido van der Werve, Bas de Wit, Edwin Zwakman.

 
‘L’exposition de ce printemps sera dédiée à la création néerlandaise. Le Centre d’art contemporain avait programmé au printemps 2020, une exposition explorant la scène artistique des Pays-Bas. Elle n’avait pu ouvrir à cause de la première épidémie de Covid. La reprise du projet pour le printemps 2023 est une manière de fermer cette frustrante parenthèse.’
 

Concreet nu, Zoetermeer

- By Henriëtte van ’t Hoog

Concreet Nu, ZoetermeerConcreet nu,
de kunst van geometrische vormentaal
Spazio Offices
Buitenom 243–268
2711 KB  Zoetermeer (Centrum)
The Netherlands

 
April 12 – May 11, 2014

 
Hours: Sat–Sun 1–5 pm; also open on April 21 (Easter Monday)
Admission free
Opening reception: Saturday, April 12, 4 pm; opening by Diana Wind, Director of Stedelijk Museum Schiedam, and Hans Haring, Alderman of Zoetermeer

 

Wedge II, 2013, 69x38x28 cm

Wedge II, 2013, 69x38x28 cm

Participating artists: Joost Baljeu, Henk van Bennekum, Bob Bonies, Rom Gaastra, Nan Groot Antink, José Heerkens, Henriëtte van ’t Hoog / Wright & Van ’t Hoog, Roland de Jong Orlando, Huibertje Kant, Ditty Ketting, Anneke Klein Kranenbarg, Els van ’t Klooster, Anna Barbara Kolbe, André van Lier, Marus van der Made, Riki Mijling, Lon Pennock, Tineke Porck, Erik van Spronsen, Clary Stolte, Heleen Waterbolk, Guido Winkler

Curator: Hannie van der Made

Hydrography II, Haarlem (I)

- By Henriëtte van ’t Hoog

Hydrography II
De Vishal
Grote Markt 20
2011 RD Haarlem
The Netherlands

April 27 – June 9, 2013
Opening reception: April 28, 2013, 4:00 pm, by Sipke Huismans
Hours: Tue–Sat 11 am – 5 pm, Sun 1–5 pm

 
Participating artists: Beate Terfloth (DE), Brent Hallard (US), Caroline de Lannoy (GB), Clary Stolte (NL), Eric de Nie (NL), Henriëtte van ’t Hoog (NL), Iemke van Dijk (NL), Ine Dammers (NL), José Heerkens (NL), Lon Godin (NL), Marie Thurman (FR), Mark de Weijer (NL), Oleksiy Koval (DE), René van den Bos (NL), Riki Mijling (NL), Sipke Huismans (NL), Werner Windisch (DE).

Guest curators: Henriëtte van ’t Hoog, Iemke van Dijk, Ine Dammers.

 
De tentoonstelling Hydrography II brengt zeventien kunstenaars bijeen die in hun werk gebruikmaken van waterverf. Zij passen het materiaal op onconventionele wijze toe. De essentiële eigenschappen van waterverf, zoals de grote kleur- en lichtkracht en de transparantie, zijn autonoom aanwezig in de werken, die qua uitgangspunt en werkwijze onderling heel verschillend zijn. De kunstenaars hanteren allen een abstracte vormentaal.
 

FutureShock OneTwo, Berlin (I)

- By Henriëtte van ’t Hoog

Contour VI, 2011, 23x23x12 cm

Contour VI, 2011, 23x23x12 cm

FutureShock OneTwo
Internationale Neue Konkrete +
galerie dr. julius | ap
Leberstraße 60
10829 Berlin
Germany

January 27 – March 17, 2012
Hours: Thu–Sat 3–7 pm and by appointment
Opening reception: Thursday, January 26, 2012, 7 pm

 
Participating artists: John Aslanidis (AU), Wolfgang Berndt (DE), Hartmut Böhm (DE), Monika Brandmeier (DE), Matthew Deleget (US), Edgar Diehl (DE), Stephan Ehrenhofer (AT), Daniel Göttin (CH), Michael Graeve (AU), Marco Grassi (IT), Anette Haas (DE), José Heerkens (NL), Henriëtte van ’t Hoog (NL), Gilbert Hsiao (US), Pierre Juillerat (CH), Károly Keserü (HU), Siegfried Kreitner (DE), Sabine Laidig (DE), Josef Linschinger (AT), Ray Malone (GB), Riki Mijling (NL), David Rhodes (GB), Giles Ryder (AU), Tim Stapel (DE), Maik Teriete (DE), Wolfram Ullrich (DE), Carles Valverde (ES), Don Voisine (US), Jan Maarten Voskuil (NL), Burchard Vossmann (DE), Guido Winkler (NL)

Curated by Matthias Seidel

 
Henriëtte van ’t Hoog participates with Contour VI (2011).
 
For the first exhibition in 2012 dr. julius | ap will present FutureShock OneTwo, a group show featuring a selection of international artists from three continents. Participants each display a work of theirs that they feel looks ahead towards the future.

The title reflects the current uncertainty in all areas of life: it seems to be increasingly clear that things will not evolve as predictably and smoothly as they have in the past. However, this is also a great opportunity for innovation. The exhibition wants to ask what role the International New Concrete and neighboring fields of art might play in this new era.

An important goal of this exhibition is to have the artists join a general discussion on the future of non-objective art, such as its potential to influence one’s perspective on life, especially in comparison with narrative forms of art. Moreover, it is to explore the relation of art and value: in times of a fundamental crisis in the monetary system, can money really be the adequate equivalent in which to trade art? Is the work of the artist actually not more than money can ever be? Could art be an alternative system of values, mentally and materially?