Neon, Saarbrücken

28/03/2014 - By Henriëtte van ’t Hoog

Contour VI, 2011, 23x23x12 cm

Neon – Vom Leuchten der Kunst
Stadtgalerie
St. Johanner Markt 24
66111 Saarbrücken
Germany

April 4 – June 22, 2014

Opening reception: Friday, April 4, 7 pm
Hours: Tue–Fri 12–7 pm, Sat–Sun 11 am – 7 pm

Neon was on view in Ingolstadt from December 1, 2013 through March 9, 2014. Henriëtte van ’t Hoog participates with Contour VI.

Participating artists: Hartmut Böhm (DE), Greg Bogin (US), Jeremy Deller (US), Shannon Finley (CA), Berta Fischer (DE), Sylvie Fleury (CH), Günter Fruhtrunk (DE), Rupprecht Geiger (DE), Rolf Glasmeier (DE), Kuno Gonschior (DE), Katharina Grosse (DE), Sabrina Haunsperg (AT), Gisela Hoffmann (DE), Henriëtte van ’t Hoog (NL), Zora Kreuzer (DE), Manfred Kuttner (DE), Roman Lang (DE), Thomas Lenk (DE), Renée Levi (TR), Max Hermann Mahlmann (DE), Gerold Miller (DE), Yudi Noor (ID), Gudrun Piper (DE), Arne Quinze (BE), Karl Reinhartz (DE), Anselm Reyle (DE), Felix Rodewaldt (DE), Thomas Ruff (DE), Roman Schramm (DE), Gerda Steiner and Jörg Lenzlinger (CH), Lars Teichmann (DE), Luis Tomasello (AR), Timm Ulrichs (DE), Ludwig Wilding (DE), Stefan Wischnewski (DE).

Neon, Ingolstadt (I)

23/11/2013 - By Henriëtte van ’t Hoog

Contour VI, 2011, 23x23x12 cm

Neon – Vom Leuchten der Kunst
Museum für Konkrete Kunst
Tränktorstraße 6–8
85049 Ingolstadt
Germany

December 1, 2013 – March 9, 2014

Opening reception: Saturday, November 30, 7 pm
Hours: Tue–Sun 10 am – 5 pm

Participating artists: Waldo Balart (CU), Hartmut Böhm (DE), Greg Bogin (US), Jeremy Deller (US), Shannon Finley (CA), Berta Fischer (DE), Sylvie Fleury (CH), Günter Fruhtrunk (DE), Rupprecht Geiger (DE), Rolf Glasmeier (DE), Kuno Gonschior (DE), Katharina Grosse (DE), Peter Halley (US), Sabrina Haunsperg (AT), Gisela Hoffmann (DE), Henriëtte van ’t Hoog (NL), Zora Kreuzer (DE), Manfred Kuttner (DE), Roman Lang (DE), Thomas Lenk (DE), Renée Levi (TR), Max Hermann Mahlmann (DE), Gerold Miller (DE), Yudi Noor (ID), Gudrun Piper (DE), Arne Quinze (BE), Anselm Reyle (DE), Felix Rodewaldt (DE), Thomas Ruff (DE), Thomas Scheibitz (DE), Roman Schramm (DE), Gerda Steiner and Jörg Lenzlinger (CH), Lars Teichmann (DE), Luis Tomasello (AR), Timm Ulrichs (DE), Ludwig Wilding (DE), Stefan Wischnewski (DE).

Henriëtte van ’t Hoog participates with Contour VI.

FutureShock OneTwo, Berlin (I)

16/01/2012 - By Henriëtte van ’t Hoog

Contour VI, 2011, 23x23x12 cm

FutureShock OneTwo
Internationale Neue Konkrete +
galerie dr. julius | ap
Leberstraße 60
10829 Berlin
Germany

January 27 – March 17, 2012
Hours: Thu–Sat 3–7 pm and by appointment
Opening reception: Thursday, January 26, 2012, 7 pm

Participating artists: John Aslanidis (AU), Wolfgang Berndt (DE), Hartmut Böhm (DE), Monika Brandmeier (DE), Matthew Deleget (US), Edgar Diehl (DE), Stephan Ehrenhofer (AT), Daniel Göttin (CH), Michael Graeve (AU), Marco Grassi (IT), Anette Haas (DE), José Heerkens (NL), Henriëtte van ’t Hoog (NL), Gilbert Hsiao (US), Pierre Juillerat (CH), Károly Keserü (HU), Siegfried Kreitner (DE), Sabine Laidig (DE), Josef Linschinger (AT), Ray Malone (GB), Riki Mijling (NL), David Rhodes (GB), Giles Ryder (AU), Tim Stapel (DE), Maik Teriete (DE), Wolfram Ullrich (DE), Carles Valverde (ES), Don Voisine (US), Jan Maarten Voskuil (NL), Burchard Vossmann (DE), Guido Winkler (NL)

Curated by Matthias Seidel

Henriëtte van ’t Hoog participates with Contour VI (2011).

For the first exhibition in 2012 dr. julius | ap will present FutureShock OneTwo, a group show featuring a selection of international artists from three continents. Participants each display a work of theirs that they feel looks ahead towards the future.

The title reflects the current uncertainty in all areas of life: it seems to be increasingly clear that things will not evolve as predictably and smoothly as they have in the past. However, this is also a great opportunity for innovation. The exhibition wants to ask what role the International New Concrete and neighboring fields of art might play in this new era.

An important goal of this exhibition is to have the artists join a general discussion on the future of non-objective art, such as its potential to influence one’s perspective on life, especially in comparison with narrative forms of art. Moreover, it is to explore the relation of art and value: in times of a fundamental crisis in the monetary system, can money really be the adequate equivalent in which to trade art? Is the work of the artist actually not more than money can ever be? Could art be an alternative system of values, mentally and materially?