Published by Edition Norm – Verlag für essentielle Kunst
On view on Saturday, March 1, 2014, 7 pm,
and on March 2–5 by appointment at
Koffer – Ausstellungsraum mit Bar
Malplaquetstraße 35
13347 Berlin
Germany
Dawn, 2012, 20 x 27 x 4 cm. On view at Koffer, Berlin
Issue 2 (2013):
Multiples by Thomas Bechinger, Pedro Boese, Sven-Ole Frahm, Signe Guttormsen,
Koffer – Ausstellungsraum mit Bar, Berlin
Interior Glow, 2013, 19x23x7 cm
July 13 – August 18, 2013
Hours: Sat–Sun 1–6 pm, and by appointment
Opening: Saturday, July 13, 6–9 pm
Catalogue
Preview of the catalogue, designed by Nancy White
Participating artists:
Doppler is an international traveling exhibition organized by Mel Prest. The exhibition features works by twenty two artists living in the US and Europe. The exhibition title refers to the Doppler Effect as well as synesthesia. The intent of the exhibition is to visually question or crush the illusion of difference between 2D and 3D. The artists chosen have created work that optically straddles this un-locatable perceptual space where static objects move and shift or trigger simultaneous sense-readings.
Installation view: Ditty Ketting, Marije Vermeulen (3x), Guido Nieuwendijk (2x), Henriëtte van ’t Hoog (2x). Photos: Richard van der Aa.
April 13 – May 4, 2013
Hours: Wed–Sat, 2–6 pm, during exhibitions
Opening: Saturday, April 13, 5–8 pm
The artists will be present at the opening and you are warmly invited to attend.
Participating artists:
Gracia Khouw (4x), Guido Winkler (3x), Henriëtte van ’t Hoog, Guido Nieuwendijk, Marije Vermeulen
‘Flat’ also refers to the low lands, the uniform light over the polders, monotonous suburbs and cityscapes. It raises questions about the influence of the composition of the Dutch landscape on the images created. For these artists, flat views seem precisely to intensify the need for colour!
Foton XIX, 2012, 50x31x15 cm
Galerie Lindner
Schmalzhofgasse 13/3
1060 Wien (Vienna)
Austria
February 21 – March 29, 2013
Hours: Tue–Fri 2–6 pm and by appointment
Opening reception: Wednesday, February 20, 7–9 pm
Participating artists: Wolfgang Berndt (DE), Stephan Ehrenhofer (AT), Anette Haas (DE), Henriëtte van ’t Hoog (NL), Ray Malone (GB),
A selection of works by eight artists who were featured in the exhibition FutureShock OneTwo, galerie dr. julius | ap, Berlin,
Henriëtte van ’t Hoog participates with Bars III, Contour VI and
Core IV, 2012, 19x20x13 cm
February 15–17, 2013
Henriëtte van ’t Hoog’s Core IV is on view in the booth of IS-projects, Leiden, together with works of
The goal of Supermarket, the international artist-run art fair, is to provide a showcase for artists’ initiatives from all over the world and to create opportunities for new networks in the Swedish as well as the international art scene. The exhibitors are generally not-for-profit exhibition spaces.
The booth of IS-projects, Leiden at Supermarket, Stockholm. Photo: Guido Winkler.
Contour VI, 2011, 23x23x12 cm
January 27 – March 17, 2012
Hours: Thu–Sat 3–7 pm and by appointment
Opening reception: Thursday, January 26, 2012, 7 pm
Participating artists: John Aslanidis (AU), Wolfgang Berndt (DE), Hartmut Böhm (DE), Monika Brandmeier (DE), Matthew Deleget (US), Edgar Diehl (DE), Stephan Ehrenhofer (AT), Daniel Göttin (CH), Michael Graeve (AU), Marco Grassi (IT), Anette Haas (DE), José Heerkens (NL),
Curated by Matthias Seidel
For the first exhibition in 2012 dr. julius | ap will present FutureShock OneTwo, a group show featuring a selection of international artists from three continents. Participants each display a work of theirs that they feel looks ahead towards the future.
The title reflects the current uncertainty in all areas of life: it seems to be increasingly clear that things will not evolve as predictably and smoothly as they have in the past. However, this is also a great opportunity for innovation. The exhibition wants to ask what role the International New Concrete and neighboring fields of art might play in this new era.
An important goal of this exhibition is to have the artists join a general discussion on the future of non-objective art, such as its potential to influence one’s perspective on life, especially in comparison with narrative forms of art. Moreover, it is to explore the relation of art and value: in times of a fundamental crisis in the monetary system, can money really be the adequate equivalent in which to trade art? Is the work of the artist actually not more than money can ever be? Could art be an alternative system of values, mentally and materially?
Island of Order in a Sea of Chaos
De Vishal
Grote Markt 20
2011 RD Haarlem
The Netherlands
January 7 – February 12, 2012
Hours: Tue–Sat 11 am – 5 pm, Sun 1–5 pm
Opening reception: Sunday, January 8, 2012, 4 pm
Participating artists: Iemke van Dijk, Jasper van der Graaf, Ro Hagers, Henriëtte van ’t Hoog, Roland de Jong Orlando, Sarah Klein, Anneke Klein Kranenbarg, Els Moes, Tineke Porck, Mel Prest, Ruth van Veenen,
Curated by Ruth van Veenen
